NYC TO LA, I MADE THE MOVE!

Since this January, my wife and I had been playing with the idea of making the move to her home state of California. Me being a New York'er I was adamantly opposed, mostly because I'm stubborn and thought NY was the only place for me to call home after moving around the east coast all of my adult life.  That thought process switched gears with the birth of our son and seeing how expensive NY is with a kid.

Our time frame got bumped around from this Sept. to July. Then her and my son flew out to LA and I spent another week tying up loose ends. Luckily for me, I got to do the cross-country drive that I've always wanted to do. It was a 5-day adventure, and I had to make the most of my time since I hadn't seen my wife and son in almost 2 weeks by the end of it, which took time away from shooting as much as I would have liked.

After packing up the 15' U-Haul, I took off from Brooklyn and drove thru the likes of Pennsylvania, Ohio, Indiana (where the state law says you can't sell cold beer in a store...), Missouri, Oklahoma (where the shower heads are 6" too low), Texas, New Mexico, Arizona, and finally into California. All of these states had their highlights, but Texas and New Mexico were something special. The landscape of both was just so amazing and beautiful. Luckily I stopped off in Shamrock, TX to shoot some photos. I only shot film out there because I felt that was more fitting to the area. It was semi desolate and just intriguing.  I'll post those once I get the film processed this week.

Here are a few iPhone snaps I took along the way, mostly while on the move.

PAUL SCHRADER FOR WALL STREET JOURNAL

Last month I had the opportunity to photograph director/screenwriter Paul Schrader at A24 productions offices in Chelsea for The Wall Street Journal. This was a shoot that was on my bucket list. Schrader has directed some incredible films such as American Gigolo (1980), Auto Focus (2002), and Dog Eat Dog (2016).

 

And how it looked in the paper.

LA BOUND AND DOWN!!!!

It's one of our regularly scheduled pilgrimages to LA coming up from Aug. 9th until Aug. 22nd! I'm really stoked for this trip since I've started a new personal project about immigrant entrepreneurs in America and I have some subjects set up to shoot when I arrive. Instead of bringing my Mamiya RB with a bunch of film backs this trip (which is the only one I usually bring when LA bound.), I'm taking along my digital gear (a first for me when not on assignment) to shoot this project. Of course, if any of my fantastic photo editors and art directors wanna throw me any LA work...I certainly wouldn't mind.

Here are a few of my fav's that I shot in LA recently.

MR. COMPLEX DROPPING A NEW ALBUM!

Last month I received a call from Mr. Complex about working together again, this time on his newest album coming out at the end of May. The concept was to shoot him on an empty train here in NYC, because of his underground hip hop title. The empty train was to symbolize how few acts are getting mainstream exposure that have a positive message. Let's be clear, there are a few greats that are out now, but with the influx of "mumble rap"....nuff said.

We first went for one in Jamaica, Queens where he's from, but we were unable to make that one happen. So we jumped on the L train at Broadway Junction and headed to Canarsie. Since we were shooting guerilla style, we couldn't bring a bunch of lighting gear, luckily the day was in our favor and we had plenty of light on an above ground track! Here's where we started off...

I dig it, but we can do better than that!

This was our final image for the back cover. Keep an eye out for the album to see what else we packed into the inlay of the vinyl!

DRES OF THE ICONIC HIP HOP DUO, BLACK SHEEP!

A couple of weeks ago I had the pleasure of photographing Dres, co founder of the hip hop group Black Sheep.  It was a year in the planning with schedules, shoots and tour dates all pushing it back.  But it finally got here and we couldn’t have asked for a better day for it.  Minus the fact that we were shooting in Corona, Queens, NY in front of the Unisphere which is located in front of Citi Field (Shea Stadium) during opening day!

Our first polaroid of Dres went something like this.

I was diggin' it, but I wanted a more dramatic looking image so we fired up the lights. Here's what we got after that.